Tod’s work explores the transformative potential of paint in a period of digital image circulation, with its accelerating speeds of transmission and shared attention deficit. Works negotiate this shift through stillness and ambiguity. Peripheral events, fleeting moments, and chance encounters are brought to the centre creating new imaginary territories. Visual fragments taken from the internet, TV, and art history are playfully recombined and erased. Zones of exclusion are brought to the fore, challenging the primacy of centre over periphery. Layers of transparent glaze are built to create a shallow depth of field that replicates the luminosity of the screen. Here, figurative and non-figurative elements meet, collide, and are altered by each other. Fluctuating areas of colour and bodies of paint are expanded and foregrounded. Ambiguity invites us to speculate, to create meaning playfully, offering a counterpoint to the directed and surveilled nature of our digital lives.
Tod’s work explores the transformative potential of paint in a period of digital image circulation, with its accelerating speeds of transmission and shared attention deficit. Works negotiate this shift through stillness and ambiguity. Peripheral events, fleeting moments, and chance encounters are brought to the centre creating new imaginary territories. Visual fragments taken from the internet, TV, and art history are playfully recombined and erased. Zones of exclusion are brought to the fore, challenging the primacy of centre over periphery. Layers of transparent glaze are built to create a shallow depth of field that replicates the luminosity of the screen. Here, figurative and non-figurative elements meet, collide, and are altered by each other. Fluctuating areas of colour and bodies of paint are expanded and foregrounded. Ambiguity invites us to speculate, to create meaning playfully, offering a counterpoint to the directed and surveilled nature of our digital lives.
Xxijra Hii
Enclave 4
50 Resolution Way,
London SE8 4AL
Xxijra Hii is a member of New Art Dealers Alliance (NADA) and the Gallery Climate Coalition (GCC).
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